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Well. That was sort of...boring. The Great Game was way better at creating this whole thing with Moriarty. But in this episode Moriarty sort of made no sense other than to show that he is insane, which isn't exactly a Great Rivalry. The road getting to Moriarty killing himself (okaaaaay) and Sherlock jumping off the building could have been done in half the time since not a whole lot happened.
I wonder if Mycroft knows in this version or if his place is taken by Molly. (Obvious that's what Sherlock wanted with her.)
The ending was pretty sad with John. "I was so lonely and you gave me so much. If you could do me one last favor and not be dead..." *SNIFF* Martin Freeman can do choked up really well.
I still want John to punch Sherlock when he comes back. And then hug him.
I might watch bits here and there again for the John/Sherlockness of it, but overall... MEH.

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I haven't seen it yet but rn I am laughing at people on Tumblr who are like GOLLY GEE SHERLOCK FAKING HIS DEATH WHAT AN UNEXPECTED PLOT TWIST I COULD NEVER HAVE SEEN COMING
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Also my reaction to the ~TOTALLY UNEXPECTED AND IN NO WAY PREDICTABLE~ PLOT TWIST AT THE END was exactly the same as when they pulled that shit on me at the end of Wicked. Except louder, because I wasn't in a theatre full of other people.
See also: my icon.
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I'm very glad that John never fell for it, not even for a second. Not even when Sherlock was telling him it was true. Those sorts of manipulations of loved ones irritate the fuck out of me.
I loved how Thompson wrote Molly. He made her awkward and fumbling but he didn't really shame her or demean her. That's been bugging me since A Study in Pink. And whilst it is obvious that Molly is involved in faking Sherlock's death, I really, REALLY want to know HOW! Because this isn't the 1890s and people know when someone is dead, especially when the body is found in the middle of London and not lost at the bottom of a waterfall.
No matter what you say about the motives of Moriarty, the episode was a whole lot better than The Blind Banker, though! And I think the emotions were brilliantly written.
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*nods*
I'm very glad that John never fell for it, not even for a second. Not even when Sherlock was telling him it was true. Those sorts of manipulations of loved ones irritate the fuck out of me.
ME TOO. JOHN IS AWESOME.
I loved how Thompson wrote Molly. He made her awkward and fumbling but he didn't really shame her or demean her. That's been bugging me since A Study in Pink. And whilst it is obvious that Molly is involved in faking Sherlock's death, I really, REALLY want to know HOW! Because this isn't the 1890s and people know when someone is dead, especially when the body is found in the middle of London and not lost at the bottom of a waterfall.
Exactly! And how did he survive in the first place? I'm wondering if knocking John down had something to do with it? To...do something while he was down? I don't see how though.
No matter what you say about the motives of Moriarty, the episode was a whole lot better than The Blind Banker, though! And I think the emotions were brilliantly written.
That's very true.
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Everyone started thinking that Sherlock was a psychopath, BUT JOHN DIDN'T. NOT EVEN WHEN SHERLOCK TRIED TO TELL HIM HE WAS. TRUE LOVE.
But really it was kind of boring.
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I MIGHT BE ABLE TO RELATE TO YOUR STALKING THING.
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Oh, he totally will.
But no sex. I still don't ship them. :P
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\o/
But no sex. I still don't ship them. :P
HMPH.
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Most of it, of course, was my love of all the Sherlock/John stuff, but there were other things I loved. I loved that the thread about Donovan being sure from the first episode that one day Sherlock would turn out the bad guy came true. I.e., her conviction that it was so was enough to go over Lestrade's head (I assume) and assist Moriarty in ruining Sherlock's rep. I loved that Molly actually managed to surprise Sherlock and that she is clearly helping him with his not!death. And I almost wish Moriarty hadn't offed himself if only to see that Sherlock beat him in the end. But only almost. And John. My word, both Freeman and Cumberbatch totally deserve BAFTAs.
I still want John to punch Sherlock when he comes back. And then hug him. And then the sex.
This. There needs to be SO MUCH FANFIC out of this.
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And they deserve many many awards!